Alukta is a new project born out of loss, grief, and the darker depths of human emotion. The duo is comprised of Marie, known from the French one-woman Black Metal act Brouillard, and the ever-prolific Belgian musician Déhà, recognized for his work with Wolvennest (where he plays drums) and a vast array of other bands and collaborations.
What sets Alukta apart from the very first listen is its profound thematic weight. The band draws inspiration from the rituals of the Toraja people in Indonesia—a culture where death is not seen as an end, but as a transition, marked by elaborate and often bloody ceremonies. These include the sacrificial slaughter of water buffalo and pigs, embalming of the dead, and storing bodies in homes or burial caves until their final rites are performed. This symbolism permeates every layer of the album.
Musically, Alukta treads the shadowy realm between ritualistic Doom and pitch-black Black Metal, conjuring atmospheres that feel suffocating and sonic textures that are more felt than heard. Marie’s lamenting vocals cut straight through the mix—haunting, visceral, and drenched in emotion. Her voice is both suffering and guide; leading the listener through a world of darkness and ceremony. Déhà’s contributions provide a dense sonic foundation, ranging from brooding ambient passages to raw, furious outbursts reminiscent of the primal force of second-wave Black Metal.
This is not an easy record. It’s not meant for casual listening—it is a ritualistic experience that demands full submission. Alukta invites you to descend into a world where death breathes, mourning is sacred, and music becomes an offering.
A stunning debut that doesn’t just resonate—it etches itself into the soul and senses. Alukta is not just a project, it’s an experience. And one that’s hard to shake off.
85/100
Transendance Records:
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